When Jason received the photo of Maxie laying inside the chalk outline, I expected that he would have an immediate reaction to the axe handle and basket that were in the photo. Instead, neither he or Sam seemed to notice them or their significance. In fact Jason's only reasons for thinking that this picture was somehow linked to the picture of "Claudia" seemed to all be based on the fact that he received both pictures within a short period of time. Never mind the fact that both of them contained elements from Claudia's murder scene. Franco may want to reconsider sending messages through his artwork because apparently symbolism, even in its most obvious form, is completely lost on Jason.
These are scenes from when Jason received each photo. The axe handle and basket are clearly visible in both. Pause the first video at 1:33, and the second at :20 to compare the two simultaneously.
"Claudia's" photo [no copyright infringement intended]
Maxie's photo [no copyright infringement intended]
Veteran soap actor Sean Kanan is launching a new web series this week called "Studio City." The show, which is described as 'a love letter to soaps' brings together many of daytime's brightest, including Tristan Rogers, Sarah Brown, Patrika Darbo, and Carolyn Hennessy. The entire first season of "Studio City" will begin streaming on Amazon Prime December 20th. On a side note, I will be chatting with Sean tomorrow on my show Paula's Soapbox LIVE at 6|5c 3pm PST . The interview will stream directly on YouTube and will be available to watch in its entirety following the LIVE broadcast.
Just curious, but what would be the point in acknowleging that? Jason clearly already knows that Franco is the person who took both pictures.
ReplyDeleteActually yesterday to me it didn't seem like he knew that Franco took both pictures because he said that he was going to have Spinelli analyze them to see if they were taken with the same camera. He also told Sam that he wasn't sure if the pictures were linked,which is why he wanted Spinelli to analyze them.
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